Tuesday, February 26, 2019

Porphyria’s Lover by Robert Browning as a Dramatic Monologue Essay

The Dramatic Monologue was a everyday take in of poetry in Robert Brownings time. It is a form of writing in which the speaker in the poem is a dramatized fanciful temper. The monologue is cast in the form of a speech turn to to a silent listener. Its aim is character study or psycho-analysi. In a prominent monologue, the person who speaks is made to reveal himself and the motives that impelled him at some crisis in life or throughout its course. The character is create throughout the conflict between his thoughts and emotions and not through any translation on the part of the poet.He may speak in exculpation or in a mood of detached self explanation, contented, brisk or remorseful. What the poet is intent on showing us is the inner man. It is a monologue because its a converse of a single person with himself. About the poem Robert Browning is one of the approximately eminent poets of the strait-laced Age. In the early years of his career, he worked on plays but findi ng no success, heturned to poetry. His early career in plays helped him to excel in typography salient monologues. Beownings genius was essentially dramatic.His dramatic bent of top dog is seen in his characterization and is the unfolding of dramatic situation. Porphyrias Lover is presented in the form of a Dramatic Monologue in which the speaker is a lover who has an abnormal, if not insane mind telling the tommyrot of how he killed his own mistress. The lover does not speak to anyone in particular. It was a conversation with himself. He has just committed a murder but sits nervelessly waiting for divine intervention. Through this narrative Browning reveals the subtle epitome of an individuals somebody.Like most of Brownings dramatic monologues that deals with such psychopathic characters, the poem depicts a situation just later the moment of action it describes has passed. When he presents the scene Porphyria is already dead. The question that by nature arises is why the l over murders the woman. There is no indignation or vexation of any kind. On the contrary as the lover himself admitted Porphyria worshipped him. The most obvious reason for the murder is that, the lover is insane. except this does not declare a wholly convincing explanation. The manner in which the over has narrated the story shows no disorder in his mind.It is possible to argue that, the lovers own passion reached such a feverish pitch and it is mingled with a state of ecstasy that he unwittingly went on to strangle the woman. But then, in that respect is not the least feeling of regret or remorse afterwards. If the murder had been committed in a state of passion and ecstasy, there would have been a most painful kind of remorse in his heart afterwards. Whatever the motive of the murder, the poem is a gripping narrative. It cannot be denied that the poem has an appeal of its own, perhaps as a study in abnormal psychology.Browning was always pre-occupied with the psychology of ma n, and this had moral implications for him. In pursue his study of the human mind, he developed an independence of style and move to attain the appearance of realism through a medium that was dramatic. His dramatic monologues were written to project a certain kind of human personality, a certain temperament, a way of looking at life or even a moment of history realized in the self-revelation of a type. He developed a remarkable ability to explore character argumentatively which provided his poems with a distinct note of individuality.His real interest was not in the externals of characters but in the mental process of his characters. His purpose was soul dissection or probing in the incidence in the development of a soul. For this purpose, he used and perfected the dramatic monologue as a poetic form best for depicting the soul and psyche of his characters. It is a drama of the soul. The poem can also be seen as an geographic expedition of the acts of morality and sexual transgr ession. Browning responds to the conflict between morality and aesthetics- an issue which dominated the Victorian society.

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